Give Me the Backstory: Get to Know Angela Patton and Natalie Rae, the Co-Directors of “Daughters”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Stephanie Ornelas One of the rewards of being part of a filmmaker’s journey from the beginning is witnessing their stories reach wider audiences. We
Director Mira Nair and cinematographer Edward Lachman on the set of Mississippi Masala. Photo by Mitch Epstein by the Archives Team With the Spirit Awards
A still from Tajana Tokyo’s “Salone Love,” which screened as part of Short Film Program 3 at the 2024 Sundance Film Festival. By Lucy Spicer
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Parting Glances. 1986. USA. Written and Directed by Bill Sherwood. Courtesy First Run Features By Matthew Eng Parting Glances is at once an introduction and
The vibe inside the big white tent of the 2024 Film Independent Spirit Awards was that of a warm family reunion. With so many projects
By Stephanie Ornelas Alexander Payne has deep roots with Sundance Institute, having been a lab fellow, creative advisor, and a Festival juror over the last
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Stephanie Ornelas “If your film is ready for Sundance, that means you’re ready for all the other festivals that are coming for the year.
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Rene Russo and Jake Gyllenhaal star in Dan Gilroy’s darkly comic “Velvet Buzzsaw.” By Lucy Spicer February may be the shortest month (though we do
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