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Posted Jan 23, 2012, by Eric Hynes
Spike Lee Returns to Sundance (and His Old Brooklyn Stomping Ground) with Red Hook Summer
On screen and off, Spike Lee always makes it interesting. Returning to Sundance with the entertaining and explosive Red Hook…
Posted Jan 22, 2012, by Eric Hynes
Rashida Jones and Andy Samberg Mine Their Bad Breakups in Celeste and Jesse Forever
Some of the brightest young inhabitants of Hollywood’s thriving comedy community were on hand for the world premiere of Celeste…
Posted Jan 22, 2012, by Jeff Hanson
Frank Langella and Peter Sarsgaard Bring Uncommon Nuance and Humanity to Jake Schreier’s Robot & Frank
While the Sundance Film Festival officially kicked off Thursday evening in Park City, nearby Salt Lake City hosted its own…
Posted Jan 22, 2012, by Jeff Hanson
Richard Gere Plays a Corporate Raider in Nicholas Jarecki’s Arbitrage
The word ‘arbitrage’ is often used in the cutthroat world of high finance, defining the practice of buying low and selling high…
Posted Jan 22, 2012, by Eric Hynes
Stephen Frears Ventures into the Seedy Back Alleyways of Sports Bookies with Lay the Favorite
In addition to directing some of the most celebrated films of the past 30 years, Stephen Frears has mastered the art of…
Posted Jan 29, 2011, by Mike Plante
Meet the Artist: Kelly Reichardt
Kelly Reichardt has a long relationship with Sundance, from her first feature River of Grass (1994) through the popular Old Joy…
Posted Jan 28, 2011, by Eric Hynes
Q&A: Perfect Sense
David Mackenzie’s apocalyptic romance, Perfect Sense, is a sensuous experiment in sensory deprivation. A mysterious virus…
Posted Jan 28, 2011, by Amelia Nielson-Stowell
Q&A: My Idiot Brother
Based on the collaborations of director Jesse Peretz and writer Evgenia Peretz, the sibling-centered film My Idiot Brother…
Posted Jan 27, 2011, by Holly Willis
Opinion: Miguel Arteta
Miguel Arteta’s first trip to the Sundance Film Festival was in 1997 with his celebrated debut feature, Star Maps, a film that…
Posted Jan 23, 2011, by Claiborne Smith
Q&A: Win Win
Saying that Tom McCarthy’s moving new film Win Win is a wrestling movie would be like saying that The Wizard of Oz is about a…
