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Articles
Posted Jan 25, 2011, by Jeff Hanson
Q&A: Vampire
While the film’s title will no doubt cause many a pulse to quicken in anticipation of another sensual bloodbath by gorgeous,…
Posted Jan 25, 2011, by Keith Harten
Q&A: These Amazing Shadows
Motion pictures are significant cultural, historical, and aesthetic artifacts, yet “50% of all films before 1950 no longer…
Posted Jan 24, 2011, by Mike Plante
Meet the Artists: Joshua Leonard
You might recognize Joshua Leonard. “I think of myself as a guy who was lucky enough to make a living as an actor for the last…
Posted Jan 24, 2011, by Holly Willis
Opinion: Billy Luther
Filmmaker Billy Luther studied filmmaking at Hampshire College, where he developed an affinity for documentary, but he says…
Posted Jan 24, 2011, by Amelia Nielson-Stowell
Q&A: Miss Representation
Jennifer Siebel Newsom's empowering documentary Miss Representation explores the underrepresentation of women in media,…
Posted Jan 23, 2011, by Claiborne Smith
Q&A: The Greatest Movie Ever Sold
Morgan Spurlock’s The Greatest Movie Ever Sold is a documentary about brand collateral, product placement in movies, and…
Posted Jan 23, 2011, by Claiborne Smith
Q&A: The Last Mountain
Bill Haney's sobering, engrossing documentary The Last Mountain details a practice that has only recently garnered coverage in…
Posted Jan 23, 2011, by Claiborne Smith
Meet the Artists: Richard Ayoade
British comedian and filmmaker Richard Ayoade is perfectly aware how sappy and indulgent some coming-of-age films can be. …
Posted Jan 23, 2011, by Claiborne Smith
Q&A: Win Win
Saying that Tom McCarthy’s moving new film Win Win is a wrestling movie would be like saying that The Wizard of Oz is about a…
Posted Jan 22, 2011, by Amelia Nielson-Stowell
Q&A: Meek's Cutoff
The opening to director Kelly Reichardt’s film Meek’s Cutoff sets a grim scene – a group of pioneers arduously carries their…
