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#Sundance Offers a Web Afterlife for Its Alumni
New York Times
‘Margin Call’ changes VOD picture
VarietyThe Ti West Open Letter: What Does An Indie Success Story Looks Like?
indieWIREEdward Burns and the Socialization of Indie Cinema
MashableYear of the Turnaround: Home Entertainment Posts Gains as Netflix Fumbles
The Hollywood ReporterA Year of Disappointment at the Movie Box Office
The New York TimesApple Plots Its TV Assault
The Wall Street JournalPandora’s digital box: The last 35 picture show
David BordwellFinancing Hollywood: A Better Way For Studios To Pay For Films
The Hollywood Reporter#Transmedia: It’s The Story, Stupid
Psychology TodayIFP Labs: Ten Things Every Filmmaker Should Know About Distribution Deals
The Filmmaker Magazine BlogRidley Scott: The Only Way to See a Film
The Huffington Post‘On The Ice’ Sets Distribution Through PMK*BNC Films, With Help From Sundance
Deadline.comHollywood flubs movie system launch, miffs users
PhysOrg.comMoshi Monsters Model for the Future of Entertainment?
The Wall Street JournalDown in front! Notes from the Raccoon Lodge
David BordwellThe Amazon movie revolution ... one year on
The GuardianThe Perils of VOD, or Why “Melancholia” Should Be Seen on the Big Screen
indieWIREHollywood and the Internet: Time for the Sequel
The Huffington PostMartin Scorsese Ponders 3D Future And How “Taxi Driver” Would Have Benefited
Deadline.com
