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The Perils of VOD, or Why “Melancholia” Should Be Seen on the Big Screen
indieWIRE
Hollywood and the Internet: Time for the Sequel
The Huffington PostMartin Scorsese Ponders 3D Future And How “Taxi Driver” Would Have Benefited
Deadline.comDistribution 101 Materials Checklist
Tribeca Film Institute BlogDistribs, theaters take on new media
VarietyFlixster hands out iTunes codes to unhappy UltraViolet users
NewTeeVeePlease Turn On Your Cellphone: Fandango Embraces Mobile Movie Tickets
MashableHow Transmedia Storytelling Is Changing TV
MashableAnti-piracy duel gets pointed in Washington
Los Angeles Times10 Signs Internet TV is Ready to Disrupt the Industry
Both Sides of the TableCinema’s real killer is 3D, not video on demand
GuardianA Bid to Get Film Lovers Not to Rent
The New York TimesFuture of Storytelling Expert Series: Transmedia Best Practices from Filmmaker Sean Hood
LatitudeMore theaters offer alternative programming
USA TodayWarner Bros. turns to Twitter to promote #UltraViolet
NewTeeVee‘Margin Call’ performing well theatrically despite VOD release
Los Angeles TimesFacebook doesn’t care where you watch movies, only where you share it
The Next WebHow Mozilla’s New HTML5 Toolkit Fuels the Future of Web Movies
ReadWriteWeb4 Scariest Things About Kickstarter
Josef Astor, indiewire.comAn Open Letter To Chris Dodd
Techdirt
